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by Theodor W. Adorno · Ediciones Akal · tapa blanda · ISBN 9788446016809
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ISBN: 9788446016809
Este volumen recopila algunos de los trabajos más importantes de Theodor W. Adorno sobre teoría musical, incluyendo «Figuras sonoras» y «Quasi una fantasia». En estos escritos, Adorno aborda diversas cuestiones relacionadas con la nueva música, explorando conceptos como la forma, la ópera y las obras de compositores como Wagner, Berg, Schönberg, Stravinski y Richard Strauss. Este libro es una valiosa contribución a la teoría musical y la estética, ofreciendo una visión profunda del pensamiento de uno de los filósofos más influyentes del siglo XX.
Theodor W. Adorno was a German philosopher, cultural, and music critic. He was a leading member of the Frankfurt School of critical theory, whose work has come to be associated with thinkers such as Ernst Bloch, Walter Benjamin, Max Horkheimer, Erich Fromm, and Herbert Marcuse, for whom the works of Sigmund Freud, Karl Marx, and G. W. F. Hegel were essential to a critique of modern society. As a critic of both fascism and what he called the culture industry, his writings—such as Dialectic of Enlightenment (1947), Minima Moralia (1951), and Negative Dialectics (1966)—strongly influenced the European New Left.
